(no subject)
Oct. 8th, 2021 07:52 pm "Beyond the shimmering forms of the graves the afternoon sky was empty, a pale colourless radiant void."
"... the sun went down towards the sea and the evening made the landward colours seethe with vividness and then faded them into a luminous blue midsummer dark."
-- Iris Murdoch, The Nice and the Good
"... the sun went down towards the sea and the evening made the landward colours seethe with vividness and then faded them into a luminous blue midsummer dark."
-- Iris Murdoch, The Nice and the Good
(no subject)
Mar. 2nd, 2018 10:28 am"The last sunlight was fading over the water as Kerans paddled his raft below the fronds of the fern trees dipping into the water around the lagoon, the blood and copper bronzes of the afternoon sun giving way to deep violets and indigo. Overhead the sky was an immense funnel of sapphire and purple, fantasticated whorls of coral cloud marking the descent of the sun like baroque vapour trails."
— J.G. Ballard, The Drowned World
— J.G. Ballard, The Drowned World
Lemon-scented spotted gums
Jul. 11th, 2017 10:39 am"... I had paused at a courtyard of lemon-scented spotted gums (Corymbia citriodora), standing about like so many tall and elegant legs in shimmeringly worsted stockings of silver, blush, titanium, flaxen, and rose-gold." — Ashley Hay, "The Forest at the Edge of Time", Australian Book Review October 2015.
"The whole country was lighted by a searing light with the intensity many times that of the midday sun. It was golden, purple, violet, gray and blue. It lighted every peak, crevasse and ridge of the nearby mountain range with a clarity and beauty that cannot be described but must be seen to be imagined. It was that beauty the great poets dream about but describe most poorly and inadequately." — Brigadier General Thomas F. Farrell
"It was so brilliant purple, with all the radioactive glowing." — Frank Oppenheimer
"... there was an enormous ball of fire which grew and grew and it rolled as it grew; it went up into the air, in yellow flashes and into scarlet and green." — Isidor I. Rabi
(And Hiroshima: "The mushroom cloud itself was a spectacular sight, a bubbling mass of purple-gray smoke and you could see it has a red core in it and everything was burning inside..." — Staff Sergeant George Caron)
"It was so brilliant purple, with all the radioactive glowing." — Frank Oppenheimer
"... there was an enormous ball of fire which grew and grew and it rolled as it grew; it went up into the air, in yellow flashes and into scarlet and green." — Isidor I. Rabi
(And Hiroshima: "The mushroom cloud itself was a spectacular sight, a bubbling mass of purple-gray smoke and you could see it has a red core in it and everything was burning inside..." — Staff Sergeant George Caron)
The Rainbow House of Chooka Frood
Mar. 30th, 2013 05:51 pm"Number 99 was an eviscerated ceramics plant. During the war a succession of blazing explosions had burst among the stock of thousands of chemical glazes, fused them, and splashed them into a wild rainbow reproduction of a lunar crater. Great splotches of magenta, violet, bice green, burnt umber, and chrome yellow were burned into the stone walls. Long streams of orange, crimson, and imperial purple had erupted through windows and doors to streak the streets and surrounding ruins with slashing brush strokes. This became the Rainbow House of Chooka Frood."
- Alfred Bester, The Demolished Man
- Alfred Bester, The Demolished Man
Butterflies
Feb. 3rd, 2013 06:00 pm"After about ten minutes I was bashed in the eye by an emerald worm hanging like a jewel from a thread in the canopy, and it was then that I began to notice the butterflies: tiny lilac ones, yellow ones with polka dots and black wing tips, large ebony ones with a blaze of lime across the wing, iridescent ones as blue as lapis lazuli; huge chocolate ones with rows of butter dots, inky-blue ones, shimmering violet in the light, big ginger ones like flying biscuits, gargantuan swallowtails dipping and tumbling, and, my favourite, a velvety brown one smutted with red under-wings which it flashed like naughty knickers."
- Natacha Du Pont De Bie, Ant Egg Soup: The Adventures of a Food Tourist in Laos
- Natacha Du Pont De Bie, Ant Egg Soup: The Adventures of a Food Tourist in Laos
In the Witch Room
Apr. 10th, 2009 07:32 pm"It was the floor which held Carson's gaze. The dull grey of the circular wall gave place here to a mosaic of varicoloured stone, in which blues and greens and purples predominated - indeed, there were none of the warmer colours. There must have been thousands of bits of coloured stone making up that pattern, for none was larger than a walnut. And the mosaic seemed to follow some definite pattern, unfamiliar to Carson; there were curves of purple and violet mingled with angled lines of green and blue, intertwining in fantastic arabesques. There were circles, triangles, a pentagram, and other, less familiar, figures. Most of the lines and figures radiated from a definite point: the centre of the chamber, where there was a circular disc of dead black stone perhaps two feet in diameter."
- Henry Kuttner, The Salem Horror
- Henry Kuttner, The Salem Horror
More from Huxley
Dec. 14th, 2006 05:55 pmA couple more ideas about colour from Aldous Huxley, this time from Heaven and Hell.
Huxley points out the association between colour and the spiritual world. Visions are characterised by "praeternatural light and colour". Heavenly realms are gorgeous landscapes filled with lush flowers and gems. Religious works of art, such as the stained glass window, evoke those colourful other worlds.
He goes on to suggest that the result of living in the drab, pre-industrial world was "a passionate, an almost desperate thirst for bright, pure colours" - people used to little more than "the duns and goose-turd greens of ragged clothing" would be transported by the displays of colour at the church or by the wealthy. The industrial world, by contrast, is saturated with colour: "We have seen too much pure, bright colour at Woolworth's to find it intrinsically transporting."
Huxley points out the association between colour and the spiritual world. Visions are characterised by "praeternatural light and colour". Heavenly realms are gorgeous landscapes filled with lush flowers and gems. Religious works of art, such as the stained glass window, evoke those colourful other worlds.
He goes on to suggest that the result of living in the drab, pre-industrial world was "a passionate, an almost desperate thirst for bright, pure colours" - people used to little more than "the duns and goose-turd greens of ragged clothing" would be transported by the displays of colour at the church or by the wealthy. The industrial world, by contrast, is saturated with colour: "We have seen too much pure, bright colour at Woolworth's to find it intrinsically transporting."
Electrochemical pastels
Dec. 4th, 2006 11:26 pm"Seigel put up a hotel-casino such as Las Vegas had never seen and called it the Flamingo... Everybody drove out on Route 91 just to gape... Such colors! All the new electrochemical pastels of the Florida littoral: tangerine, broiling magenta, livid pink, incarnadine, fuchsia demure, Congo ruby, methyl green, viridine, aquamarine, phenosafranine, incandescent orange, scarlet-fever purple, cyanic blue, tesselated bronze, hospital fruit-basket orange."
- Tom Wolfe, "Las Vegas (What?) Las Vegas (Can't Hear You! Too noisy) Las Vegas!!!" in The Kandy-Kolored Tangerine-Flake Streamline Baby.
- Tom Wolfe, "Las Vegas (What?) Las Vegas (Can't Hear You! Too noisy) Las Vegas!!!" in The Kandy-Kolored Tangerine-Flake Streamline Baby.